Reverse Shot A different angle on moving images—past, present, and future

December 2022

• The Whale
  review | By Juan Barquin | December 8, 2022
• The Eternal Daughter
  review | By Shonni Enelow | December 2, 2022
• Magical Skills and Goals
  feature | Screen Play | By Daniel Witkin | December 1, 2022
• Ramin Bahrani
  interview | By Chris Shields | December 1, 2022

November 2022

• All the Beauty and the Bloodshed
  review | By Matthew Eng | November 22, 2022
• Bones and All
  review | By Justin Stewart | November 22, 2022
• The Inspection
  review | By Chris Wisniewski | November 18, 2022
• White Noise
  review | By Gavin Smith | November 18, 2022
• EO
  review | By Keith Uhlich | November 16, 2022
• The Fabelmans
  review | By Michael Koresky | November 16, 2022
• Noriaki Tsuchimoto
  feature | At the Museum | By Z. W. Lewis | November 14, 2022
• A Couple
  review | By Esther Rosenfield | November 10, 2022
• Armageddon Time
  review | By Edo Choi | November 2, 2022

October 2022

• A Few Great Pumpkins XVII
  feature | A Few Great Pumpkins | By Michael Koresky, Adam Nayman, Sam Bodrojan, Chloe Lizotte, Willow Catelyn Maclay, Julien Allen | October 31, 2022
• Decision to Leave
  review | By Juan Barquin | October 28, 2022
• Till
  review | By A.G. Sims | October 28, 2022
• The Novelist's Film
  review | By Dan Schindel | October 27, 2022
• Aftersun
  review | By Matthew Eng | October 21, 2022
• Corman & Poe: Decadent Degradation
  feature | At the Museum | By Greg Cwik | October 20, 2022
• Triangle of Sadness
  review | By A.G. Sims | October 17, 2022
• Tár
  review | By Eileen G'Sell | October 16, 2022
• All That Breathes
  review | By Farihah Zaman | October 14, 2022
• Mia Hansen-Løve
  interview | By Leonardo Goi | October 14, 2022
• Saint Omer
  review | By Michael Koresky | October 13, 2022
• Rewind & Play
  review | By Conor Williams | October 13, 2022
• Stars at Noon
  review | By Adam Nayman | October 12, 2022
• Human Flowers of Flesh
  review | By Forrest Cardamenis | October 12, 2022
• Walk Up
  review | By Ryan Swen | October 11, 2022
• R.M.N.
  review | By Michael Koresky | October 9, 2022
• Women Talking
  review | By Caitlin Quinlan | October 8, 2022
• Enys Men
  review | By Adam Nayman | October 7, 2022
• Alcarràs
  review | By Susannah Gruder | October 6, 2022
• Unrest
  review | By Lawrence Garcia | October 6, 2022
• Showing Up
  review | By Matthew Eng | October 5, 2022
• Albert Serra (Pacifiction)
  interview | By Leonardo Goi | October 4, 2022
• Coma
  review | By Lawrence Garcia | October 3, 2022
• A Few Great Pumpkins Index
  feature | A Few Great Pumpkins | October 1, 2022

September 2022

• Paravel & Castaing-Taylor (De Humani Corporis Fabrica)
  interview | By Leonardo Goi | September 29, 2022
• The Gambler
  feature | At the Museum | By Sarah Fensom | September 23, 2022
• Outer Wilds and the Time-Loop Game
  feature | Touching the Screen | By Dan Schindel | September 23, 2022
• Pearl
  feature | By Greg Cwik | September 21, 2022
• Sierra Pettengill (Riotsville, U.S.A.)
  interview | By Eileen G'Sell | September 16, 2022
• Le Pont du Nord
  symposium | Summer of ’81 | By Beatrice Loayza | September 16, 2022
• Courtney Stephens (Terra Femme)
  interview | By Matilda Hague | September 15, 2022
• Hold Me Tight
  review | By Eileen G'Sell | September 9, 2022
• Costa Rica
  feature | Escape from New York | By Christina Newland | September 8, 2022
• Thief
  symposium | Summer of ’81 | By Eric Hynes | September 8, 2022
• Scanners
  symposium | Summer of ’81 | By Chloe Lizotte | September 2, 2022

August 2022

• Ricky D'Ambrose (The Cathedral)
  interview | By Lawrence Garcia | August 31, 2022
• S.O.B.
  symposium | Summer of ’81 | By Charles Bramesco | August 31, 2022
• Beloved Enemy & Psy-Warriors
  symposium | Summer of ’81 | By Julien Allen | August 30, 2022
• The Woman Next Door
  symposium | Summer of ’81 | By Susannah Gruder | August 29, 2022
• Knightriders
  symposium | Summer of ’81 | By Jeff Reichert | August 26, 2022
• Three Thousand Years of Longing
  review | By Juan Barquin | August 26, 2022
• Atlantic City
  symposium | Summer of ’81 | By Matthew Eng | August 24, 2022
• Mariane and Juliane
  symposium | Summer of ’81 | By Chris Wisniewski | August 12, 2022
• Heat 2
  review | By Gavin Smith | August 12, 2022
• Dragonslayer
  symposium | Summer of ’81 | By Kambole Campbell | August 11, 2022
• Make It Real: L’Age d’Or
  feature | Make It Real | By Eric Hynes | August 11, 2022
• El Gran movimiento
  review | By Michael Sicinski | August 10, 2022
• You Are Not I
  symposium | Summer of ’81 | By Michael Koresky | August 8, 2022
• Modern Romance
  symposium | Summer of ’81 | By Vikram Murthi | August 4, 2022
• Irma Vep
  review | By Max Carpenter | August 4, 2022
• Polyester
  symposium | Summer of ’81 | By Caden Mark Gardner | August 3, 2022

July 2022

• Nope
  review | By Nicholas Russell | July 29, 2022
• The Fox and the Hound
  symposium | Summer of ’81 | By Kelli Weston | July 29, 2022
• Ms. 45
  symposium | Summer of ’81 | By Mark Asch | July 28, 2022
• Possession
  symposium | Summer of ’81 | By Nick Davis | July 22, 2022
• Body Heat
  symposium | Summer of ’81 | By Christina Newland | July 21, 2022
• Wolfen
  symposium | Summer of ’81 | By Gavin Smith | July 15, 2022
• An American Werewolf in London
  symposium | Summer of ’81 | By Nicholas Russell | July 14, 2022
• Summer of ’81: Introduction
  symposium | Summer of ’81 | By Michael Koresky, Jeff Reichert | July 8, 2022
• Escape from New York
  symposium | Summer of ’81 | By Genevieve Yue | July 8, 2022
• Documenteur
  symposium | Summer of ’81 | By Shonni Enelow | July 8, 2022
• Stations of the Elevated
  symposium | Summer of ’81 | By Greg Cwik | July 8, 2022
• Murina
  review | By Ela Bittencourt | July 7, 2022
• Juliette Binoche
  interview | By Matthew Eng | July 7, 2022
• Both Sides of the Blade
  review | By Patrick Preziosi | July 7, 2022
• Fire of Love
  review | By Matthew Eng | July 6, 2022
• Body Talk: A Cronenberg Roundtable
  feature | By Sam Bodrojan, Caden Mark Gardner, Mackenzie Lukenbill, Willow Catelyn Maclay | July 1, 2022

June 2022

• Alice Diop
  interview | By Caitlin Quinlan | June 27, 2022
• We Walk: Romero’s Eternal Zombie Cycle
  feature | At the Museum | By Chris Shields | June 25, 2022
• Flux Gourmet
  review | By Dan Schindel | June 24, 2022
• Elden Ring
  feature | Touching the Screen | By Sam Bodrojan | June 17, 2022
• Cannes 2022 Dispatch: Distance and Desire
  feature | Festival Dispatch | By Juan Barquin | June 8, 2022
• Cannes 2022 Dispatch: A Curators’ Dialogue
  feature | Festival Dispatch | By Eric Hynes, Edo Choi | June 7, 2022
• Benediction
  review | By Michael Koresky | June 3, 2022
• Crimes of the Future
  review | By Eileen G'Sell | June 3, 2022
• Neptune Frost
  review | By Kambole Campbell | June 2, 2022

May 2022

• Mike Leigh
  interview | By Dan Schindel | May 29, 2022
• John McEnroe: In the Realm of Perfection
  feature | Screen Play | By A.G. Sims | May 27, 2022
• The Tsugua Diaries
  review | By Lawrence Garcia | May 24, 2022
• Men
  review | By Matthew Eng | May 20, 2022
• In Front of Your Face/Introduction
  review | By Ryan Swen | May 16, 2022
• Il Buco
  review | By Forrest Cardamenis | May 13, 2022
• Pleasure
  review | By Philippa Snow | May 11, 2022
• Audrey Diwan
  interview | By Caitlin Quinlan | May 4, 2022
• The Northman
  review | By Katherine Connell | May 2, 2022

April 2022

• Vortex
  review | By Michael Koresky | April 28, 2022
• Saturday Fiction
  review | By Lindsay Brayton | April 23, 2022
• Petite Maman
  review | By Susannah Gruder | April 22, 2022
• Céline Sciamma
  interview | By Eileen G'Sell | April 22, 2022
• Hit the Road
  review | By Demi Kampakis | April 20, 2022
• We’re All Going to the World’s Fair
  review | By Caden Mark Gardner | April 15, 2022
• Pia Borg (Demonic)
  interview, feature | At the Museum | By Eric Hynes | April 8, 2022
• The Girl and the Spider
  review | By Lawrence Garcia | April 6, 2022

March 2022

• Where the Truth Lies: Deepfake
  feature | Event Horizon | By Chloe Lizotte | March 29, 2022
• Vengeance Is Mine, All Others Pay Cash
  review, feature | At the Museum | By Chloe Lizotte | March 25, 2022
• X
  review | By Greg Cwik | March 25, 2022
• Feathers
  review, feature | At the Museum | By Matthew Eng | March 23, 2022
• Day after...
  feature, review | At the Museum | By Bedatri D. Choudhury | March 21, 2022
• The Balcony Movie
  review, feature | At the Museum | By Chris Shields | March 20, 2022
• A Man and a Camera
  review, feature | At the Museum | By Vikram Murthi | March 19, 2022
• Babi Yar. Context
  review, feature | At the Museum | By James Wham | March 19, 2022
• Ahed’s Knee
  review | By Chris Wisniewski | March 18, 2022
• Intregalde
  review | By Ela Bittencourt | March 18, 2022
• Mr. Landsbergis
  feature, review | At the Museum | By Jeff Reichert | March 18, 2022
• Zero Fucks Given
  review, feature | At the Museum | By Mark Asch | March 17, 2022
• Valentyn Vasyanovych
  interview, feature | At the Museum | By Leonardo Goi | March 17, 2022
• First Time [The Time for All but Sunset (Violet)]
  feature | At the Museum | By Lawrence Garcia | March 15, 2022
• True/False Film Fest 2022 (Part One)
  feature | Festival Dispatch | By Kelli Weston | March 15, 2022
• True/False Film Fest 2022 (Part Two)
  feature | Festival Dispatch | By Jeff Reichert | March 15, 2022
• Berlin Film Festival 2022
  feature | Festival Dispatch | By Edo Choi | March 9, 2022
• Fern Silva
  interview | By Conor Williams | March 4, 2022
• Kogonada
  interview, review | By Sam Bodrojan | March 4, 2022
• Great Freedom
  review | By Matthew Eng | March 4, 2022

February 2022

• Notorious
  symposium | Take Seven: Object Lessons | By Mark Asch | February 28, 2022
• Christopher St. John
  interview | By Nicolas Rapold | February 24, 2022
• The Royal Tenenbaums
  symposium | Take Seven: Object Lessons | By Matt Connolly | February 22, 2022
• Le Samouraï
  symposium | Take Seven: Object Lessons | By Julien Allen | February 15, 2022
• Legally Blonde
  symposium | Take Seven: Object Lessons | By Bedatri D. Choudhury | February 10, 2022
• Todd Chandler
  interview | By Chris Shields | February 9, 2022
• Sundance 2022: Dispatch Three
  feature | Festival Dispatch | By Farihah Zaman | February 7, 2022
• The Worst Person in the World
  review | By Susannah Gruder | February 3, 2022
• Sundance 2022: Dispatch Two
  feature | Festival Dispatch | By Matthew Eng | February 3, 2022
• Cover Girl
  symposium | Take Seven: Object Lessons | By Greg Cwik | February 2, 2022

January 2022

• Sundance 2022: Dispatch One
  feature | Festival Dispatch | By Susannah Gruder | January 27, 2022
• 2021: Two Cents
  feature | Years in Review | January 26, 2022
• Indiana Jones and the Last Crusade
  symposium | Take Seven: Object Lessons | By Jeff Reichert | January 24, 2022
• Belle
  review | By Juan Barquin | January 21, 2022
• Chuck Jones & Gender Performance
  feature | At the Museum | By Caden Mark Gardner | January 19, 2022
• Licorice Pizza
  review | By Christina Newland | January 18, 2022
• Annabelle: Creation
  symposium | Take Seven: Object Lessons | By Nicholas Russell | January 13, 2022
• Reverse Shot’s Best of 2021
  feature | Years in Review | January 12, 2022
• The Color of Pomegranates
  symposium | Take Seven: Object Lessons | By Daniel Witkin | January 6, 2022
• The Matrix Resurrections
  review | By Sam Bodrojan | January 5, 2022
• High Hopes
  symposium | Take Seven: Object Lessons | By Susannah Gruder | January 4, 2022