Reverse Shot A different angle on moving images—past, present, and future

December 2023

• Citizen Kane
  symposium | Reverse Shot Does It Again | By Julien Allen | December 27, 2023
• Ferrari
  review | By Gavin Smith | December 25, 2023
• All of Us Strangers
  review | By Michael Koresky | December 22, 2023
• The Sweet Spot: Talking to Nick Pinkerton
  interview | By K. Austin Collins | December 21, 2023
• White Material
  symposium | Reverse Shot Does It Again | By Eileen G'Sell | December 15, 2023
• The Zone of Interest
  review | By Edo Choi | December 15, 2023
• The White Game
  feature | At the Museum | By David Schwartz | December 14, 2023
• The Boy and the Heron
  review | By Kambole Campbell | December 9, 2023
• Poor Things
  review | By Eileen G'Sell | December 8, 2023
• Zero Dark Thirty
  symposium | Reverse Shot Does It Again | By Caden Mark Gardner | December 8, 2023
• Anselm
  review | By Julia Gunnison | December 8, 2023
• Laura Citarella
  interview | By Nicolas Pedrero-Setzer | December 6, 2023
• Alan Wake II
  feature | Touching the Screen | By Esther Rosenfield | December 4, 2023

November 2023

• Kaboom
  symposium | Reverse Shot Does It Again | By Matt Connolly | November 29, 2023
• Menus-Plaisirs Les Troisgros
  review | By Julien Allen | November 23, 2023
• Irma Vep
  symposium | Reverse Shot Does It Again | By Karen Bowers | November 22, 2023
• Text of Light: Villa Medici Film Festival
  feature | Text of Light | By Jordan Cronk | November 20, 2023
• May December
  review, feature | Todd Haynes | By Michael Koresky | November 15, 2023
• Fallen Leaves
  review | By Dan Schindel | November 14, 2023
• Hedwig and the Angry Inch
  symposium | Reverse Shot Does It Again | By Juan Barquin | November 14, 2023
• Reverse Shot: Twenty Years of Film Criticism in Four Movements
  feature | November 13, 2023
• Malcolm & Marie
  symposium | Reverse Shot Does It Again | By Nicholas Russell | November 10, 2023
• Orlando: My Political Biography
  review | By Farihah Zaman | November 9, 2023
• Youth (Spring)
  review | By Dan Schindel | November 8, 2023
• All Dirt Roads Taste of Salt
  review | By Julia Gunnison | November 3, 2023
• Raven Jackson
  interview | By Robert Daniels | November 3, 2023
• Southland Tales
  symposium | Reverse Shot Does It Again | By Michael Koresky | November 3, 2023
• Priscilla
  review | By A.G. Sims | November 2, 2023
• Idiocracy
  symposium | Reverse Shot Does It Again | By Justin Stewart | November 2, 2023

October 2023

• A Few Great Pumpkins XVIII
  feature | A Few Great Pumpkins | By Michael Koresky, Willow Catelyn Maclay, Chloe Lizotte, Julien Allen, Justin Stewart, Adam Nayman | October 31, 2023
• The Blair Witch Project
  feature | Unearthed | By Nicholas Russell | October 31, 2023
• Spaces of Exception
  review | By Caitlin Quinlan | October 27, 2023
• The Holdovers
  review | By Dan Schindel | October 27, 2023
• Birth
  symposium | Reverse Shot Does It Again | By Adam Nayman | October 26, 2023
• Killers of the Flower Moon
  review | By Michael Koresky | October 23, 2023
• James Benning
  interview | By Sam Bodrojan | October 20, 2023
• Abuse of Weakness
  symposium | Reverse Shot Does It Again | By Ela Bittencourt | October 20, 2023
• The Hunted
  symposium | Reverse Shot Does It Again | By Nick Pinkerton | October 19, 2023
• The Delinquents
  review | By Caitlin Quinlan | October 18, 2023
• Eureka
  review | By Jeff Reichert | October 17, 2023
• Anatomy of a Fall
  review | By Adam Nayman | October 13, 2023
• Last Summer
  review | By Matthew Eng | October 13, 2023
• Last Things
  review | By Chloe Lizotte | October 13, 2023
• The American Friend
  symposium | Reverse Shot Does It Again | By Katherine Connell | October 12, 2023
• Janet Planet
  review | By Shonni Enelow | October 11, 2023
• Household Saints
  review | By Jourdain Searles | October 11, 2023
• Music
  review | By Shonni Enelow | October 10, 2023
• American Movie
  feature | At the Museum | By Keva York | October 8, 2023
• Foe
  review | By Matthew Eng | October 6, 2023
• The Dupes
  review | By Imogen Sara Smith | October 6, 2023
• Evil Does Not Exist
  review | By Imogen Sara Smith | October 4, 2023
• A Prince
  review | By Conor Williams | October 2, 2023

September 2023

• La Práctica
  review | By Jordan Cronk | September 30, 2023
• Miko Revereza (Nowhere Near)
  interview | By A.E. Hunt | September 30, 2023
• The Human Surge 3
  review | By Lawrence Garcia | September 29, 2023
• Nashville
  symposium | Reverse Shot Does It Again | By Matthew Eng | September 29, 2023
• Recess: School’s Out
  symposium | Reverse Shot Does It Again | By Chloe Lizotte | September 28, 2023
• TIFF 2023: Wavelengths
  feature | Festival Dispatch | By Lawrence Garcia | September 25, 2023
• Wings of Desire
  symposium | Reverse Shot Does It Again | By Imogen Sara Smith | September 22, 2023
• Saint Laurent
  symposium | Reverse Shot Does It Again | By Jordan Cronk | September 22, 2023
• El Juicio (The Trial)
  review | By Nicolas Pedrero-Setzer | September 21, 2023
• Reverse Shot Does It Again
  symposium | Reverse Shot Does It Again | By Michael Koresky, Jeff Reichert | September 21, 2023
• Remembering Every Night
  review | By Caitlin Quinlan | September 14, 2023
• Hello Dankness
  review | By Conor Williams | September 9, 2023

August 2023

• Fremont
  review | By Matthew Eng | August 30, 2023
• Press X to Continue: A Roundtable, Part 2
  feature | Touching the Screen | By Juan Barquin, Kambole Campbell, Forrest Cardamenis, Cole Kronman, Esther Rosenfield | August 11, 2023
• Press X to Continue: A Roundtable, Part 1
  feature | Touching the Screen | By Juan Barquin, Kambole Campbell, Forrest Cardamenis, Cole Kronman, Esther Rosenfield | August 9, 2023
• Passages
  review | By Matthew Eng | August 4, 2023
• Kokomo City
  review | By Farihah Zaman | August 4, 2023
• Our Body
  review | By Eileen G'Sell | August 2, 2023

July 2023

• War Pony
  review | By Chris Shields | July 28, 2023
• Oppenheimer
  review | By Michael Koresky | July 26, 2023
• Barbie
  review | By Gabrielle Marceau | July 25, 2023
• Afire
  review | By Leonardo Goi | July 13, 2023
• Tears of the Kingdom
  feature | Touching the Screen | By Dan Schindel | July 11, 2023
• Indiana Jones and the Dial of Destiny
  review | By Greg Cwik | July 4, 2023

June 2023

• Nobody’s Hero
  review | By Lawrence Garcia | June 30, 2023
• Casa Susanna
  review | By Caden Mark Gardner | June 29, 2023
• Asteroid City
  review | By Vikram Murthi | June 16, 2023
• Pietro Marcello
  interview | By Anna Thorngate | June 9, 2023
• Our Guy: Celebrating Michael J. Fox
  feature | At the Museum | By Greg Cwik | June 6, 2023
• Past Lives
  review | By Matthew Eng | June 2, 2023
• Cannes 2023 Dispatch: A Curators’ Dialogue—Part 2
  feature | Festival Dispatch | By Eric Hynes, Edo Choi | June 1, 2023

May 2023

• Unclenching the Fists
  review | By Ela Bittencourt | May 26, 2023
• Cannes 2023 Dispatch: A Curators’ Dialogue—Part 1
  feature | Festival Dispatch | By Eric Hynes, Edo Choi | May 26, 2023
• Sanctuary
  review | By Susannah Gruder | May 19, 2023
• Monica
  review | By Spencer Williams | May 12, 2023
• What Are the Wild Waves Saying?
  review | By Julia Gunnison | May 5, 2023
• Unrest
  review | By Lawrence Garcia | May 3, 2023

April 2023

• The Eight Mountains
  review | At the Museum | By Chris Shields | April 28, 2023
• R.M.N.
  review | By Michael Koresky | April 26, 2023
• Helena Wittmann
  interview | By Forrest Cardamenis | April 26, 2023
• Trenque Lauquen
  review | By Sarah Fensom | April 21, 2023
• Other People’s Children
  review | By Eileen G'Sell | April 20, 2023
• Plan 75
  review | By Dan Schindel | April 20, 2023
• Jill, Uncredited
  review, feature | At the Museum | By Jasmine Liu | April 18, 2023
• How to Blow Up a Pipeline
  review | By Katherine Connell | April 14, 2023
• Tommy Guns
  review | By Vikram Murthi | April 14, 2023
• De Humani Corporis Fabrica
  interview | By Leonardo Goi | April 13, 2023
• Human Flowers of Flesh
  review | By Forrest Cardamenis | April 12, 2023
• Ari Aster
  interview | By Michael Koresky | April 12, 2023
• Mami Wata
  feature, review | At the Museum | By Frank Falisi | April 8, 2023
• Showing Up
  review | By Matthew Eng | April 5, 2023
• Kelly Reichardt
  interview | By Ricky D'Ambrose | April 5, 2023
• The River Is Not a Border
  feature, review | At the Museum | By Emma Ward | April 3, 2023

March 2023

• Rodeo
  feature, review | At the Museum | By Clara Cuccaro | March 31, 2023
• Citizen Dielman
  feature | At the Museum | By David Schwartz | March 31, 2023
• Enys Men
  review | By Adam Nayman | March 29, 2023
• Walk Up
  review | By Ryan Swen | March 27, 2023
• Agrilogistics
  feature, review | At the Museum | By Nicolas Pedrero-Setzer | March 26, 2023
• Three Women
  review, feature | At the Museum | By Julia Gunnison | March 26, 2023
• Tori and Lokita
  review | By Matthew Eng | March 24, 2023
• Nam June Paik: Moon Is the Oldest TV
  review | By Grace Byron | March 24, 2023
• Berlin Film Festival 2023
  feature | Festival Dispatch | By Edo Choi | March 22, 2023
• Art Talent Show
  review, feature | At the Museum | By Vikram Murthi | March 19, 2023
• Love Life
  review, feature | At the Museum | By Bedatri D. Choudhury | March 19, 2023
• The Sparrow Dream
  feature | At the Museum | By Phil Coldiron | March 18, 2023
• New Strains
  feature, review | At the Museum | By Mark Asch | March 18, 2023
• It’s What Each Person Needs & Huahua’s Dazzling World
  feature, review | At the Museum | By Conor Williams | March 18, 2023
• R21 AKA Restoring Solidarity
  feature, review | At the Museum | By Nicholas Russell | March 17, 2023
• A Little Love Package
  feature, review | At the Museum | By Sarah Fensom | March 17, 2023
• Feet in Water, Head on Fire
  review, feature | At the Museum | By Caitlin Quinlan | March 16, 2023
• A Common Sequence
  feature, review | At the Museum | By Nicholas Russell | March 15, 2023
• The Taste of Mango
  review, feature | At the Museum | By Chloe Lizotte | March 15, 2023
• Herbaria
  feature, review | At the Museum | By Chris Shields | March 14, 2023
• Rewind & Play
  review | By Conor Williams | March 10, 2023
• Stonewalling
  interview | By Eileen G'Sell | March 10, 2023
• In with the Old
  feature | By Max Carpenter | March 10, 2023
• The Total Experience
  feature | Event Horizon | By Chloe Lizotte | March 8, 2023

February 2023

• The Sorrow and the Pity
  review | By Gavin Smith | February 24, 2023
• Magic Mike’s Last Dance
  review | By Sam Bodrojan | February 17, 2023
• Albert Serra on Pacifiction
  interview | By Leonardo Goi | February 16, 2023
• Return to Seoul
  review | By Lawrence Garcia | February 15, 2023
• The Outwaters
  review | By Adam Nayman | February 10, 2023
• Sundance 2023: Dispatch Two
  feature | Festival Dispatch | By Matthew Eng | February 9, 2023
• Sundance 2023: Dispatch One
  feature | Festival Dispatch | By Caitlin Quinlan | February 8, 2023
• Full Time
  review | By Susannah Gruder | February 3, 2023
• Knock at the Cabin
  review | By Kyle Turner | February 3, 2023
• The Lonely Guys: The Long Goodbye & Mikey and Nicky
  feature | At the Museum | By Greg Cwik | February 2, 2023
• Infinity Pool
  review | By Dan Schindel | February 1, 2023

January 2023

• Mia Hansen-Løve
  interview | By Leonardo Goi | January 26, 2023
• Reverse Shot’s Two Cents of 2022
  feature | Years in Review | January 22, 2023
• Skinamarink
  review | By Natalie Marlin | January 13, 2023
• Saint Omer
  review | By Michael Koresky | January 12, 2023
• Reverse Shot’s Best of 2022
  feature | Years in Review | January 11, 2023
• Alcarràs
  review | By Susannah Gruder | January 4, 2023