July 2022
- Body Talk: A Cronenberg Roundtable
feature
| By
Sam Bodrojan, Caden Mark Gardner, Mackenzie Lukenbill, Willow Catelyn Maclay
| July 1, 2022
June 2022
- Alice Diop (We)
interview
| By
Caitlin Quinlan
| June 27, 2022
- We Walk: Romero’s Eternal Zombie Cycle
feature
| At the Museum
| By
Chris Shields
| June 25, 2022
- Flux Gourmet
review
| By
Dan Schindel
| June 24, 2022
- Elden Ring
feature
| Touching the Screen
| By
Sam Bodrojan
| June 17, 2022
- Cannes 2022 Dispatch: Distance and Desire
feature
| Festival Dispatch
| By
Juan Barquin
| June 8, 2022
- Cannes 2022 Dispatch: A Curators’ Dialogue
feature
| Festival Dispatch
| By
Eric Hynes, Edo Choi
| June 7, 2022
- Benediction
review
| By
Michael Koresky
| June 3, 2022
- Crimes of the Future
review
| By
Eileen G'Sell
| June 3, 2022
- Neptune Frost
review
| By
Kambole Campbell
| June 2, 2022
May 2022
- Mike Leigh
interview
| By
Dan Schindel
| May 29, 2022
- John McEnroe: In the Realm of Perfection
feature
| Screen Play
| By
A.G. Sims
| May 27, 2022
- The Tsugua Diaries
review
| By
Lawrence Garcia
| May 24, 2022
- Men
review
| By
Matthew Eng
| May 20, 2022
- In Front of Your Face/Introduction
review
| By
Ryan Swen
| May 16, 2022
- Il Buco
review
| By
Forrest Cardamenis
| May 13, 2022
- Pleasure
review
| By
Philippa Snow
| May 11, 2022
- Audrey Diwan
interview
| By
Caitlin Quinlan
| May 4, 2022
- The Northman
review
| By
Katherine Connell
| May 2, 2022
April 2022
- Vortex
review
| By
Michael Koresky
| April 28, 2022
- Saturday Fiction
review
| By
Lindsay Brayton
| April 23, 2022
- Petite Maman
review
| By
Susannah Gruder
| April 22, 2022
- Céline Sciamma
interview
| By
Eileen G'Sell
| April 22, 2022
- Hit the Road
review
| By
Demi Kampakis
| April 20, 2022
- We’re All Going to the World’s Fair
review
| By
Caden Mark Gardner
| April 15, 2022
- Pia Borg (Demonic)
interview, feature
| At the Museum
| By
Eric Hynes
| April 8, 2022
- The Girl and the Spider
review
| By
Lawrence Garcia
| April 6, 2022
March 2022
- Where the Truth Lies: Deepfake
feature
| Event Horizon
| By
Chloe Lizotte
| March 29, 2022
- Vengeance Is Mine, All Others Pay Cash
review, feature
| At the Museum
| By
Chloe Lizotte
| March 25, 2022
- X
review
| By
Greg Cwik
| March 25, 2022
- Feathers
review, feature
| At the Museum
| By
Matthew Eng
| March 23, 2022
- Day after...
feature, review
| At the Museum
| By
Bedatri D. Choudhury
| March 21, 2022
- The Balcony Movie
feature, review
| At the Museum
| By
Chris Shields
| March 20, 2022
- A Man and a Camera
review, feature
| At the Museum
| By
Vikram Murthi
| March 19, 2022
- Babi Yar. Context
review, feature
| At the Museum
| By
James Wham
| March 19, 2022
- Ahed’s Knee
review
| By
Chris Wisniewski
| March 18, 2022
- Intregalde
review
| By
Ela Bittencourt
| March 18, 2022
- Mr. Landsbergis
feature, review
| At the Museum
| By
Jeff Reichert
| March 18, 2022
- Zero Fucks Given
review, feature
| At the Museum
| By
Mark Asch
| March 17, 2022
- An Interview with Valentyn Vasyanovych
interview, feature
| At the Museum
| By
Leonardo Goi
| March 17, 2022
- First Time [The Time for All but Sunset (Violet)]
feature
| At the Museum
| By
Lawrence Garcia
| March 15, 2022
- True/False Film Fest 2022 (Part One)
feature
| Festival Dispatch
| By
Kelli Weston
| March 15, 2022
- True/False Film Fest 2022 (Part Two)
feature
| Festival Dispatch
| By
Jeff Reichert
| March 15, 2022
- Murina
feature, review
| At the Museum
| By
Ela Bittencourt
| March 11, 2022
- Berlin Film Festival 2022
feature
| Festival Dispatch
| By
Edo Choi
| March 9, 2022
- Fern Silva
interview
| By
Conor Williams
| March 4, 2022
- Kogonada: On After Yang
review, interview
| By
Sam Bodrojan
| March 4, 2022
- Great Freedom
review
| By
Matthew Eng
| March 4, 2022
February 2022
- Notorious
symposium
| Take Seven: Object Lessons
| By
Mark Asch
| February 28, 2022
- Christopher St. John
interview
| By
Nicolas Rapold
| February 24, 2022
- The Royal Tenenbaums
symposium
| Take Seven: Object Lessons
| By
Matt Connolly
| February 22, 2022
- Le Samouraï
symposium
| Take Seven: Object Lessons
| By
Julien Allen
| February 15, 2022
- Legally Blonde
symposium
| Take Seven: Object Lessons
| By
Bedatri D. Choudhury
| February 10, 2022
- Bulletproof: An Interview with Todd Chandler
interview
| By
Chris Shields
| February 9, 2022
- Sundance 2022: Dispatch Three
feature
| Festival Dispatch
| By
Farihah Zaman
| February 7, 2022
- The Worst Person in the World
review
| By
Susannah Gruder
| February 3, 2022
- Sundance 2022: Dispatch Two
feature
| Festival Dispatch
| By
Matthew Eng
| February 3, 2022
- Cover Girl
symposium
| Take Seven: Object Lessons
| By
Greg Cwik
| February 2, 2022
January 2022
- Sundance 2022: Dispatch One
feature
| Festival Dispatch
| By
Susannah Gruder
| January 27, 2022
- Sundance Interview: Ricky D'Ambrose
interview
| By
Lawrence Garcia
| January 27, 2022
- 2021: Two Cents
feature
| Years in Review
| January 26, 2022
- Indiana Jones and the Last Crusade
symposium
| Take Seven: Object Lessons
| By
Jeff Reichert
| January 24, 2022
- Belle
review
| By
Juan Barquin
| January 21, 2022
- Chuck Jones & Gender Performance
feature
| At the Museum
| By
Caden Mark Gardner
| January 19, 2022
- Licorice Pizza
review
| By
Christina Newland
| January 18, 2022
- Annabelle: Creation
symposium
| Take Seven: Object Lessons
| By
Nicholas Russell
| January 13, 2022
- Reverse Shot’s Best of 2021
feature
| Years in Review
| January 12, 2022
- The Color of Pomegranates
symposium
| Take Seven: Object Lessons
| By
Daniel Witkin
| January 6, 2022
- The Matrix Resurrections
review
| By
Sam Bodrojan
| January 5, 2022
- High Hopes
symposium
| Take Seven: Object Lessons
| By
Susannah Gruder
| January 4, 2022