Reverse Shot A different angle on moving images—past, present, and future

May 2022

• In Front of Your Face/Introduction
  review | By Ryan Swen | May 16, 2022
• Il Buco
  review | By Forrest Cardamenis | May 13, 2022
• Pleasure
  review | By Philippa Snow | May 11, 2022
• Audrey Diwan
  interview | By Caitlin Quinlan | May 4, 2022
• The Northman
  review | By Katherine Connell | May 2, 2022

April 2022

• Vortex
  review | By Michael Koresky | April 28, 2022
• Saturday Fiction
  review | By Lindsay Brayton | April 23, 2022
• Petite Maman
  review | By Susannah Gruder | April 22, 2022
• Céline Sciamma
  interview | By Eileen G'Sell | April 22, 2022
• Hit the Road
  review | By Demi Kampakis | April 20, 2022
• We’re All Going to the World’s Fair
  review | By Caden Mark Gardner | April 15, 2022
• Pia Borg (Demonic)
  interview, feature | At the Museum | By Eric Hynes | April 8, 2022
• The Girl and the Spider
  review | By Lawrence Garcia | April 6, 2022

March 2022

• Where the Truth Lies: Deepfake
  feature | Event Horizon | By Chloe Lizotte | March 29, 2022
• Vengeance Is Mine, All Others Pay Cash
  review, feature | At the Museum | By Chloe Lizotte | March 25, 2022
• X
  review | By Greg Cwik | March 25, 2022
• Feathers
  review, feature | At the Museum | By Matthew Eng | March 23, 2022
• Day after...
  feature, review | At the Museum | By Bedatri D. Choudhury | March 21, 2022
• The Balcony Movie
  feature, review | At the Museum | By Chris Shields | March 20, 2022
• A Man and a Camera
  review, feature | At the Museum | By Vikram Murthi | March 19, 2022
• Babi Yar. Context
  review, feature | At the Museum | By James Wham | March 19, 2022
• Ahed’s Knee
  review | By Chris Wisniewski | March 18, 2022
• Intregalde
  review | By Ela Bittencourt | March 18, 2022
• Mr. Landsbergis
  feature, review | At the Museum | By Jeff Reichert | March 18, 2022
• Zero Fucks Given
  review, feature | At the Museum | By Mark Asch | March 17, 2022
• An Interview with Valentyn Vasyanovych
  interview, feature | At the Museum | By Leonardo Goi | March 17, 2022
• First Time [The Time for All but Sunset (Violet)]
  feature | At the Museum | By Lawrence Garcia | March 15, 2022
• True/False Film Fest 2022 (Part One)
  feature | Festival Dispatch | By Kelli Weston | March 15, 2022
• True/False Film Fest 2022 (Part Two)
  feature | Festival Dispatch | By Jeff Reichert | March 15, 2022
• Murina
  feature, review | At the Museum | By Ela Bittencourt | March 11, 2022
• Berlin Film Festival 2022
  feature | Festival Dispatch | By Edo Choi | March 9, 2022
• Fern Silva
  interview | By Conor Williams | March 4, 2022
• Kogonada: On After Yang
  review, interview | By Sam Bodrojan | March 4, 2022
• Great Freedom
  review | By Matthew Eng | March 4, 2022

February 2022

• Notorious
  symposium | Take Seven: Object Lessons | By Mark Asch | February 28, 2022
• Christopher St. John
  interview | By Nicolas Rapold | February 24, 2022
• The Royal Tenenbaums
  symposium | Take Seven: Object Lessons | By Matt Connolly | February 22, 2022
• Le Samouraï
  symposium | Take Seven: Object Lessons | By Julien Allen | February 15, 2022
• Legally Blonde
  symposium | Take Seven: Object Lessons | By Bedatri D. Choudhury | February 10, 2022
• Bulletproof: An Interview with Todd Chandler
  interview | By Chris Shields | February 9, 2022
• Sundance 2022: Dispatch Three
  feature | Festival Dispatch | By Farihah Zaman | February 7, 2022
• The Worst Person in the World
  review | By Susannah Gruder | February 3, 2022
• Sundance 2022: Dispatch Two
  feature | Festival Dispatch | By Matthew Eng | February 3, 2022
• Cover Girl
  symposium | Take Seven: Object Lessons | By Greg Cwik | February 2, 2022

January 2022

• Sundance 2022: Dispatch One
  feature | Festival Dispatch | By Susannah Gruder | January 27, 2022
• Sundance Interview: Ricky D'Ambrose
  interview | By Lawrence Garcia | January 27, 2022
• 2021: Two Cents
  feature | Years in Review | January 26, 2022
• Indiana Jones and the Last Crusade
  symposium | Take Seven: Object Lessons | By Jeff Reichert | January 24, 2022
• Belle
  review | By Juan Barquin | January 21, 2022
• Chuck Jones & Gender Performance
  feature | At the Museum | By Caden Mark Gardner | January 19, 2022
• Licorice Pizza
  review | By Christina Newland | January 18, 2022
• Annabelle: Creation
  symposium | Take Seven: Object Lessons | By Nicholas Russell | January 13, 2022
• Reverse Shot’s Best of 2021
  feature | Years in Review | January 12, 2022
• The Color of Pomegranates
  symposium | Take Seven: Object Lessons | By Daniel Witkin | January 6, 2022
• The Matrix Resurrections
  review | By Sam Bodrojan | January 5, 2022
• High Hopes
  symposium | Take Seven: Object Lessons | By Susannah Gruder | January 4, 2022