It remains tethered to noir and thriller conventions, but more intently commits to probing character psychology and, with narrative obfuscations, stubborn silences, and stylistic mood swings, venturing outside assumed viewer comfort zones.
Deciding which short is the worst can provide its own kind of fun, as an email thread with a friend proved, but it's hard not to single out Brett Ratner's garish tale of virginity lost.
It's not often that a director disappears quite so purposely as Gus Van Sant did into Good Will Hunting.
© Reverse Shot, 2017. All rights reserved Support forthis publication has been provided through the National Endowment for the Arts. Moving Image Source was developed with generous and visionary support from the Hazen Polsky Foundation, in memory of Joseph H. Hazen.