Reviews
By Saul Austerlitz
| April 27, 2003
Spellbound, the documentary by Jeffrey Blitz, is the equivalent of a Matisse in a Mickey Mouse frame.
By Jeff Reichert
| April 13, 2003
Japón is perhaps the most original and striking debut feature I've seen in the last half-decade or so. It has the feel of a first film that came out exactly how its director wanted it to.
By Nick Pinkerton
| April 10, 2003
In Hollywood, where profit margins are worked through to the tenth decimal before any celluloid gets to be exposed, and where every incoming product proudly wears its demographic on its sleeve, the appearance of a big-budget born loser like Willard is anomaly enough to make anyone take notice.