By Ryan Swen | March 27, 2023

The willingness to downplay repetition in favor of a seemingly linear progression of events means that the fuzzy temporal links are more subterranean and trickier to parse than in any of his prior films.

By Julia Gunnison | March 26, 2023
At the Museum

Melnyk had set out to make a strictly observational documentary. On the ground in Stuzhytsia, he found it impossible to maintain the distance this approach required.

The focus on the packaging and commodification of these plants and vegetables demystifies the agrestal fantasy of so many of our products. At first numbing, Ortín’s images of rote mechanical production begin accruing a subtlesense of dread, appearing as an unbroken and uncaring process.

By Matthew Eng | March 24, 2023

Their rage at the divisions and injustices of the world has only been amplified, but they have faltered at dramatizing how such divisions and injustices might color the more mundane, less sensational circumstances of those experiencing these crises first-hand.

By Grace Byron | March 24, 2023

Kim unearths numerous gems of Paik talking about his obsession with technology, which occasionally bordered on the whimsical. From repurposing TVs as sculpture to pioneering live broadcasts, he revolutionized how artists utilize the screen in their work.

By Vikram Murthi | March 19, 2023
At the Museum

Art Talent Show illustrates how hyper-individualism dominates artistic philosophy in the younger generation; many prospective students talk about wanting to communicate their essence or their worldview with their work.

A terrible event occurs, which would send most families into spontaneous combustion, but in true Fukada fashion, everything quietly implodes, and everyone is left to grapple with things in messy, dirty ways that feel truer to how our hearts and brains function.

By Mark Asch | March 18, 2023
At the Museum

During the first days of the 2020 lockdown, when New Yorkers saw time opening out abyssally before them and for filmmakers any kind of large-scale production was impossible, Artemis Shaw found her old camcorder in her parents’ apartment.

By Conor Williams | March 18, 2023
At the Museum

Romvari and Xu are compassionate image-seekers, yet they also subtly interrogate the systems surrounding their subjects.

By Sarah Fensom | March 17, 2023
At the Museum

Amidst this beautiful and mysterious backdrop, sequences occur at random without explanation and do not always add up to a broader narrative. But much of its strength lies in the fact that very little happens and even less seems to connote meaning in the way we’re used to in cinema.

By Nicholas Russell | March 17, 2023
At the Museum

The documentary functions as a living archive, a collection of 20 films made between 1964 and 1982 reporting, commenting, and philosophizing on the Palestinian struggle.

By Caitlin Quinlan | March 16, 2023
At the Museum

In her loosely structured, sensorial documentary, Long maps this history out along the San Andreas Fault, which splinters the state from north to south, capturing the textures and colors of the mountainous valley on gorgeously grainy 16mm.

By Nicholas Russell | March 15, 2023
At the Museum

Nominally, A Common Sequence is a documentary, though, threading together meditations on colonialism, environmental degradation, capitalism, labor and immigration, machine learning and AI, DNA harvesting and genomic manipulation, the film adopts a nonlinear, almost impressionistic approach.

By Chris Shields | March 14, 2023
At the Museum

Herbaria offers audiences a unique meditation on extinction and preservation in the twinned worlds of plants and film. Shot on 35mm and 16mm, this mysterious, at times cryptic, essayistic work takes viewers to two locations: the seemingly disparate Buenos Aires Botanical Garden and the Museo del Cine.