By Julien Allen | October 23, 2013
See It Big

Reinstating Halloween from the nation’s living rooms to the big screen where it really belongs, gives audiences a clearer look at what makes a consummate frightener.

By Max Nelson | September 27, 2013
See It Big

Coming to Michelangelo Antonioni’s L’avventura today means having to strip away a great many preconceptions.

By Michael Koresky | September 13, 2013
See It Big

For a film so widely beloved, Singin’ in the Rain is truly mischievous, the ultimate expression of a genre that is more about spirit than cause-and-effect narrative relations.

By Adam Nayman | July 23, 2013
See It Big

In addition to being the most visually striking of Anderson’s six movies to date, There Will Be Blood might be the most visually striking American feature of the last decade. Or two, or three.

By Nick Pinkerton | July 19, 2013
See It Big

Studio head William Fox bet the farm on The Big Trail. It was one of only a handful of features shot on 70mm Grandeur film, a.k.a. Fox Grandeur, an early widescreen process which had only been in use for about a year.

By Eric Hynes | July 18, 2013
See It Big

The 1980s were rife with cinematic Trojan horses that proved more troubling and complex than their packaging, or pop cultural context, would indicate.

By Ashley Clark | July 12, 2013
See It Big

Within the strict temporal and location confines of Do the Right Thing lies a work concerned with tackling the biggest of American themes—race relations, ambition, urban survival, economics, violence, and liberty—on a microcosmic scale.

By Julien Allen | June 21, 2013
See It Big

Rivette’s ordination of Journey to Italy as the first modern film is, in a philosophical sense, paradoxical, because in fact it is modernity itself which is being shunned, or at best broken down and humanized, by the film.

By Leo Goldsmith | June 19, 2013
See It Big

Bigger Than Life is a film filled with contradictions, paradoxes and confusions of emotion and reason; indeed, these are part of what makes it big and ugly and beautiful as life, even in its outsized proportions.

By Fernando F. Croce | June 14, 2013
See It Big

How massive the landscapes and castle chambers are in Akira Kurosawa’s 1985 epic, and how small the people in them seem.

February 9, 2013

Bring It On: SEE Guilty Pleasure
Disaster: SEE Parallels (Historical): post-9/11 anxiety.

January 8, 2013
Years in Review

Best New York Times Ratings Explanation Capsule Review, Best Time Spent Watching Paint Dry, Clunkiest Denouement, Most Unexpectedly Haunting, The Trying-Too-Hard Award, Discovery of the Year, Most Infantilizing Indie Rom-Com Award, and more

January 4, 2013
Years in Review

Ted, Prometheus, Michael, Beasts of the Southern Wild, The Comedy, Bachelorette, The Hunger Games, Silver Linings Playbook, This Is 40, Anna Karenina, Ruby Sparks

January 2, 2013
Years in Review

The Deep Blue Sea, This Is Not a Film, The Kid with a Bike, Tabu, Holy Motors, The Master, Almayer’s Folly, The Turin Horse, Once Upon a Time in Anatolia, Lincoln