Features
Years in Review
Best Musical, Best Supporting Actor, Best New Old Movies, Most Irritating Camera Lens, Best Action Sequence, Best Remake, Trailer of the Year, and more!
Claire Simon has been working steadily in the cinema since a mid-1970s internship with Algerian filmmaker Mohammed Lakhdar-Hamina, and has been directing both narrative and nonfiction films for over 30 years now.
In fragmented short scenes intertwined by the turn of chance, Possible Faces keenly studies aimless characters whose lives pinball between despair and grasping the last vestiges of hope.
Schmitz whittles a leisurely yarn with only the most threadbare of narrative action. He shot with no formal script or framework in mind, content to merely observe in fixed, distant shots the desultory minutiae of his hapless subjects.
If, as the saying goes, the devil is in the details, then Chris Kennedy’s 36-minute marvel Watching the Detectives finds in that idea a working metaphor for the modern condition.
Ambulante Más Allá is a roving documentary festival launched in 2005 that provides the framework for building a inclusive independent filmmaking infrastructure, reclaiming an often maligned community and helping them curate their own identities on and off screen.
The Pluto Moment by Zhang Ming is a delightful, quietly subversive film that, under the veil of a personal story, smuggles in details about the current cultural moment in China.
The Family confronts us with situations that are perfectly ordinary, without directing our interpretation. It’s only outside knowledge that complicates matters.
Years in Review
Vice, Suspiria, Green Book, Halloween, Ocean’s 8, Bohemian Rhapsody, Tyrel, Peter Rabbit, Chappaquiddick, Solo, A Quiet Place
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Vitaly Mansky’s latest film is a personal document of historical reckoning culled from hundreds of hours of footage collected during his tenure as official videographer for Putin’s election campaign and early presidency.
To process the layers of brutality and often half-hearted deceit that constitute much of contemporary public life in the former Soviet Union is no enviable task, but Loznitsa has taken it up with gusto.
Years in Review
Zama, Let the Sunshine In, If Beale Street Could Talk, Burning, Happy as Lazzaro, First Reformed, The Ballad of Buster Scruggs, Western, Roma, Hale County This Morning, This Evening
Close is the kind of actor who excels at navigating the delicate balance between intense physicality, brewing shrewdness, and shattering vulnerability, which is why even her most morally compromised characters nonetheless have familiar strokes of humanity and sympathy.
Talal Derki remains close to this family, capturing meals, the children in bed or at play, men chatting before heading off to combat, rendered as normal as getting into a car for a morning commute.