Jeff Reichert
Project for a New American Criticism, Or: How We Learned to Stop Worrying and Hate the War
For those familiar only with 1941 for its reputation as a misfire of epic proportions and disastrous critical reception, it might seem ludicrous to assert that the film somehow manages to speak soberly and presciently to certain political realities of life during wartime.
Japón is perhaps the most original and striking debut feature I've seen in the last half-decade or so. It has the feel of a first film that came out exactly how its director wanted it to.