Dan Schindel
With this film, Hong and company reflect on how, in middle age, they have willingly submitted themselves more to the potential of randomness in their art.
The titles forming this recent trend have diegetic time loops, ones built into their narratives and acknowledged by the characters.
Flux Gourmet favors a maximalist brand of satire, inflating mundane peccadilloes into epic proportions.
I have never had a shot in my digital movies which has gone on for more than seven or eight minutes at the most. It is important to use the medium and not let the medium use you.



