Reverse Shot A different angle on moving images—past, present, and future

The manic pace at which Desplechin sifts and slides through tones can be overwhelming, even alienating, but his insistence on wandering down paths most filmmakers would not dare explore, much less envision, provides a heart-searching pleasure for those willing to follow.

"I really identified with these cowboys on horses who were searching for something and making decisions about whether they wanted to be a part of society or not. At some point, I realized, maybe when I was a little bit older, how oppressively male this genre was."

Audiences usually put themselves in the shoes of the good characters. They never put themselves in the shoes of the person who has done something wrong. And there is no challenge when you put yourselves in the shoes of the good people.