Hans Morgenstern
By Hans Morgenstern
| February 16, 2016
Abound with lush, multilayered imagery shot in black-and-white super 35, Embrace of the Serpent subverts time and space while mostly staying grounded in the primordial world of the Amazon jungle.
By Julien Allen, Michael Koresky, Hans Morgenstern, Adam Nayman, Jeff Reichert, Justin Stewart
| October 31, 2015
A Few Great Pumpkins
A Few Great Pumpkins
The Witch, The Hound of the Baskervilles, In the Mouth of Madness/Hair, Ringu, The Visit, Nosferatu the Vampyre, Carrie
By Hans Morgenstern
| May 5, 2014
To evoke his film’s early 1960s, Soviet-era Poland setting, Pawlikowski not only shot Ida in black-and-white but also used the 4:3 academy aspect ratio, recalling such Eastern European classics of the era like Loves of a Blonde and Closely Watched Trains.