Kiva Reardon
The film is like a response to Eliza Doolittle’s lament in My Fair Lady, “Show me!” Unbound by linguistic specificity and emotional or narrative referents, these moments become entry points of limitless meaning into the film.
Dominated by beige, khaki and low-key reds, the palette is balanced to the point of being banal, so everything is uncannily uniform.
Juan Sebastian Jacome's Ruta de la Luna, Kenya Márquez’s Fecha de caducidad, Ana Endara Mislov's Curundú, Vero Bollo's Burwa dii Ebo
Though his film follows a conventional narrative, it would seem Peli cannot resist incorporating found footage, using it to introduce his characters and again, predictably, for a kill sequence.