Ricky D'Ambrose
Movies are so tied to nationality: title, director, year, country. Those four things frame how we view a film. I’m Argentinian, but I’ve lived half my life in New York. I have an American passport, but I’m not fully American as a filmmaker. And I’m not fully Argentine either. There’s always something slightly off. That sense of displacement connects to the fairy tale.
It was like being back in art school, back to an earlier day in filmmaking where I was just like, “I’ll do this pan because how much am I going to screw it up?” It was just very freeing in making those shorts. I really loved it.

