It was like being back in art school, back to an earlier day in filmmaking where I was just like, “I’ll do this pan because how much am I going to screw it up?” It was just very freeing in making those shorts. I really loved it.
© Reverse Shot, 2023. All rights reserved Support forthis publication has been provided through the National Endowment for the Arts. Moving Image Source was developed with generous and visionary support from the Hazen Polsky Foundation, in memory of Joseph H. Hazen.