Tina Hassannia
By Tina Hassannia
| June 12, 2013
The most significant quality of Joss Whedon’s modern adaptation of Shakespeare’s Much Ado About Nothing is not its black-and-white palette, small self-financed budget, or the fact that the crew shot it in just under a fortnight at his house, but that this is the first film Whedon has directed that he hasn’t also written.