Text of Light
Taking stock of what’s new and notable in the ever-evolving ecosystem of experimental cinema.
The further one delves into Creton and Barré’s catalogue, the more the films begin to feel like pieces of an indivisible whole, one that encompasses the entirety of their personal and professional lives.
No Other Land is a film situated at ground level, depicting innocent people literally fighting to protect not only their homes but also their entire way of being. Three other films from last year took a bird’s eye view to similar subject matter.
While it is now customary to view most online content in this manner, it is still surreal to see vertical images in a cinematic context, despite being, as “Shifting Perspectives” demonstrates, one of the initial ways moving images were conceived in the late 19th century.
Many of the best and most radical films came from major auteurs experimenting with new forms, whether that is Hong Sang-soo, Pedro Costa, or Wang Bing. Plus: Lois Patiño, James Benning, Deborah Stratman, Steve McQueen, Eduardo Williams, Joshua Gen Solondz, and more.
Unlike the moving-image installations presented as part of group exhibitions like documenta and the Venice Biennale, Villa Medici focuses squarely on the theatrical presentation of its selection—which, considering the Renaissance-era backdrop, makes for some surreal viewing environments.