Gibson shows that filmmaking is an extension of a practice that is already proactive and lived. The evolving relationship between filmmaker and subject is retained implicitly in nearly every shot and interaction.
© Reverse Shot, 2018. All rights reserved Support forthis publication has been provided through the National Endowment for the Arts. Moving Image Source was developed with generous and visionary support from the Hazen Polsky Foundation, in memory of Joseph H. Hazen.